ZOTL Ultralinear Amplifier
ZOTL Ultralinear Amplifier
The ZOTL Ultralinear is the latest amplifier design by David Berning: the first ultralinear amplifier not limited by traditional output transformers.
ZOTL Ultralinear Power Amplifier
The latest amplifier design by David Berning. Striking a balance between triode and pentode mode, the new ZOTL Ultralinear amp provides the unique advantages of each while maintaining all the benefits of the ZOTL circuitry.
The ZOTL Ultralinear amplifier delivers uncolored detail and realism without sacrificing natural mids and powerful, controlled bass. Listeners enjoy the less forward, distortion-free presentation that is “more pleasing to listen to” the Ultralinear offers.
Plays nicely with others
The ZOTL Ultralinear was specifically designed with high-efficiency speakers in mind. Yet a super-wide frequency response and less than 2 ohm output impedance means it plays nicely with all speakers.
Stereo + mono, at the flip of a switch
The ZOTL Ultralinear outputs 20 watts per channel. Need more power? Like all of our power amplifiers, it can be used as monoblock or stereo amps at the flip of a switch.
Unique tubes, unique amp
The ZOTL Ultralinear uses 17JN6 power tubes, a Compactron-style TV sweep tube that can't be easily used in traditional transformer-coupled amplifier designs. The ZOTL circuit is able to take advantage of these great-sounding, under-utilized, inexpensive, and widely available tubes.
Never buy another set of tubes
Most tube amplifiers run through tubes every 1,000-2,000 hours. That sounds like a lot until you consider that we estimate tube life for our amps to be in the 10,000-20,000 hour range. Why? Because we use ⅓ the current through the tubes, which results in lower heat and dramatically longer tube life.
Tube tone + solid state detail
Traditional tube amps are known for their liquidity and linearity, but their “warmth” masks details and can sound thick. Solid state amplifiers give you that detail, but can be “clinical.” ZOTL amplifiers give you the best of both worlds: beautiful tube tone with the clarity of solid state (while being entirely tube-based.)
Looks as good as it sounds
The low-resonance aluminum chassis of the ZOTL Ultralinear amplifier is designed and manufactured in Richmond, Virginia, by the award-winning industrial design crew at Fern & Roby. Sturdy toggle switches and machined aluminum front and rear panels exude quality.
The ZOTL Ultralinear amplifier is based on David Berning’s patented ZOTL technology, the only advance in tube technology since the 1950’s. For a technology to be patented, it must be deemed “new, useful, and non-obvious.” We think that sums up our approach quite nicely.
Premium components = premium sound
If you use cheap, generic parts, guess what kind of sound you’ll get? That’s why we use only premium, name-brand components. Belleson regulators. Ohno OCC wiring. Vishay Dale resistors. Mundorf caps. Typically, these are names you’ll only hear in amps that cost $10k or more.
Made in the USA
Every LTA product is designed and built by hand in Takoma Park, Maryland, by a group of technicians who are also musicians, audiophiles, and music lovers. Some of whom have been with us since the company’s earliest days.
The ZOTL Ultralinear amplifier is hand built by technicians with years of experience building the complex ZOTL circuits. All our products are backed by a 2-year warranty and a 14-day no-questions-asked return policy.
Reviews & Testimonials
The Linear Tube Audio ZOTL Ultralinear is quite remarkable. It fools you into thinking that it's a reference SET for its ability with tonality and color. It provides rich, vibrant and gorgeous timbres along with an overall silky smoothness that just floats the music into the room in relaxed fashion. However because of its overall speed, dynamics, lower bass extension and control you know it couldn't be a flea-power SET.
Think of the ZOTL Ultralinear amplifier as a world-class SET for its inner glow of gorgeous color/timbres plus the sense of aliveness and dynamics of a more powerful push/pull. This amplifier would be welcome in any system with standard speakers and listeners who prioritize beautiful tonality and timbres, first-rate imaging and the aliveness and 'speed' of live music.
I’ll start by saying this is the best Class AB amplifier I have ever heard. The first thing I noticed was that the LTA Ultralinear was the quietest amp I have ever heard; not the quietest tube amp, but the quietest amp. I think this enabled me to hear some of its most captivating qualities; its incredible sense of pace and rhythm, explosive dynamics, and micro-dynamics. I found myself tapping my foot almost as often as I do when listening to live music. The amp is so unbelievably natural that it was hard to think about anything but the music, the glorious music.
If you have high-efficiency speakers and you don’t want to spend five figures on an amp that weighs a ton and heats up your room, then you need to hear this amp. There are very few SET amps that can stay in the game with the Ultralinear. It has the ability to magically take recorded music and almost convince you that it’s live! Yes, there are some SET amps that can do this, but the ones I know of start in the five figures and work their way up.
I am saving perhaps the best for last here, I was completely blown away by the spacious soundstage this amp produced. It transformed the soundscape, adding multiple layers of depth and copious cushions of air around the performers. Everything became completely three dimensional in a way I have only heard in rooms that allowed for a much better setup than mine. It is this type of spatial realism, when combined with such vivid, realistic tonal color and transient fidelity, that makes the Ultralinear so intoxicating--so NECESSARY.
LTA amplifier owners have found great enjoyment using their amps with a variety of speakers outside of the below ranges. The below are guidelines, not rules.
Critical listening environments: 88db sensitivity and above
Smaller rooms / lower volume levels / non-critical listening: 85db sensitivity and above
If you have questions about your specific speakers, chances are someone we know has tried them. Don’t hesitate to reach out with questions about your specific setup. Also, don’t forget we have a 14-day no-questions-asked return policy.
Inputs: One pair L & R Cardas RCA
Outputs: One set of stereo WBT speaker binding posts
Amplifier class: Push-pull class AB
Power output: 20 watts channel 8 ohms
Frequency response: 8hz to 60khz - +0, -.5db
Stereo/Mono: Switchable Stereo-Mono
Weight: 23 lbs.
Tube complement: 12AU7 and 12AX7 input tubes, 17JN6 power tubes - Autobias for all tubes. All tubes NOS.
The ZOTL Ultralinear is the latest ZOTL amplifier design by David Berning, utilizing his Zero-hysteresis output transformerless audio design and his unique power supply.
The ZOTL Ultralinear amplifier outputs 20 watts per channel using 17JN6 tubes, a Compactron-style TV sweep tube that can't be easily used in traditional transformer-coupled amplifier designs. The ZOTL circuit is able to take advantage of these great-sounding, under-utilized tubes, and in this case, does so in what can be considered the only ultralinear amp without traditional output transformers.
David designed the amplifier specifically for high efficiency speakers. A balance between triode and pentode mode, the ultralinear topology delivers a less forward presentation which is "more pleasing to listen to". The ZOTL Ultralinear delivers accuracy, detail and realism. Pianos sound like pianos. The bass is controlled but fluid. Very transparent, no hum and very dynamic.
The power supply is an advanced switching supply optimized for audio that only David Berning deploys.
All the benefits of ZOTL technology, including 3 times the tube life, 1/3 the heat, a super wide frequency response of 8hz -60Khz, and a under 2 ohm output impedance to play nicely with all speakers, are all included. There is also a sophisticated speaker protection system to prevent damage to the amplifier and speakers if there ever was a tube issue.
Fern and Roby Audio designed the casework featuring front and rear panels milled from slabs of aluminum, Cardas RCAs, WBT copper binding posts, front panel industrial toggle switch, and a stereo mono switch with all markings laser engraved.
David Berning designed, hand-built by Linear Tube Audio, with casework by Fern and Roby.
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